Philip 
                        Grisewood 
                         
                         
                        Philip 
                        Grisewood was born in Worthing in 1978. He graduated from 
                        Camberwell College of Art in 2005 with a first class degree 
                        in illustration. While studying at Camberwell he was selected 
                        by the Association of Illustrators for inclusion in the 
                        books Images 28 and Images 29. Since then he has worked 
                        as a freelance illustrator and has had work published 
                        in various magazines including Little White Lies, Huck 
                        and SuperSuper. At this time Philip started producing graphics for the clothing labels  Buddhistpunk and House of the Gods.  Continuing with his fashion experience Philip currently collaborates with Adam Entwisle and Emma Hales on on the contemporary label 'Horace'. 
                      Philip’s 
                        illustrations use a variety of techniques that he has 
                        developed through years of experimentation with mixed 
                        media. He uses a combination of materials and methods 
                        such as drawing, painting, collage and screenprinting 
                        to build up densely layered images.  
                         
                        The ‘Weak Worker’ is Philip’s first 
                        animation and continues to use the layering processes 
                        of his editorial illustration work, producing each frame 
                        by hand. The film is a study on the theme of repetition 
                        and uses an office as it’s focus. This office environment 
                        is referenced through the use of carbon paper in the production 
                        of the animation. 
                         
                        The illustration work on this site is complemented by 
                        a selection of Philip’s photography, which has been 
                        produced as part of his investigations into the uses of 
                        different mediums. 
                      All 
                        images are protected by copyright law (copyright designs 
                        and patents act 1988). 
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